ARRI Alexa SXT Plus

Producent

  • ARRI

Sensor

  • Super35

Mocowanie obiektywu

  • LPL
  • PL
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W zestawie

  • CODEX SXR CAPTURE DRIVE 1TB – x3
  • CODEX CAPTURE DRIVE DOCK (TB2-TB2, TB2-TB3 ADAPTER, POWER SUPPLY)
  • ARRI EVF-1 (CABLE 0,6M + 0,35M)
  • ARRI VMB-3
  • ARRI CCH-1
  • ARRI BP-12
  • ARRI SP-4
  • ARRI HANDGRIP
  • ARRI HANDGRIP EXTENSION TUBE
  • BEBOB HOT SWAP ADAPTER V-LOCK ML-120
  • ARRI ALEXA POWER SUPPLY 24V
  • ARRI BATTERY POWER CABLE (XLR – 2PIN FISCHER)
  • ARRI TIMECODE CABLE
  • ARRI AUDIO CABLE
  • DTAP SPILITTER
  • RODS 15″ LONG ALUMINIUM
  • RODS 15″ SHORT ALUMINIUM
  • RODS 19″ SHORT ALUMINIUM
  • RODS 19″ LONG ALUMINIUM
  • ARRI ANTENNA WI-FI
  • SD CARD 16GB
  • ARRI CASE

Specyfikacja

  • Model
ALEXA SXT W
  • Sensor Type
Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array
  • Sensor Maximum Number of Photosites and Size
3424 x 2202
28.25 x 18.17 mm / 1.112 x 0.715″
⌀ 33.59 mm / 1.322″
  • Sensor Frame Rates
0.75 – 120 fps
  • Weight
∼7.4 kg / ∼16.3 lbs
(camera body with PL lens mount)
  • Photosite Pitch
8.25 μm
  • Sensor Active Image Area (photosites)
16:9 ProRes HD: 2880 x 1620
16:9 ProRes 2K: 2880 x 1620
16:9 ProRes 3.2K: 3200 x 1800
16:9 Prores 4K UHD: 3200 x 1800
16:9 ARRIRAW 2.8K: 2880 x 1620
16:9 ARRIRAW 3.2K: 3168 x 1782
6:5 ProRes 2K Anamorphic: 2560 x 2146
6:5 ProRes 4K Cine Anamorphic: 2560 x 2146
6:5 ARRIRAW 2.6K: 2578 x 2160
4:3 ProRes 2.8K: 2880 x 2160
4:3 ARRIRAW 2.8K: 2880 x 2160
Open Gate ProRes 3.4K: 3424 x 2202
Open Gate ProRes 4K Cine: 3414 x 2198
Open Gate ARRIRAW 3.4K: 3424 x 2202
  • Sensor Active Image Area (dimensions)
16:9 ProRes HD: 23.76 x 13.37 mm / 0.935 x 0.526″
16:9 ProRes 2K: 23.76 x 13.37 mm / 0.935 x 0.526″
16:9 ProRes 3.2K: 26.40 x 14.85 mm / 1.039 x 0.585″
16:9 Prores 4K UHD: 26.40 x 14.85 mm / 1.039 x 0.585″
16:9 ARRIRAW 2.8K: 23.76 x 13.37 mm / 0.935 x 0.526″
16:9 ARRIRAW 3.2K: 26.14 x 14.70 mm / 1.029 x 0.579″
6:5 ProRes 2K Anamorphic: 21.12 x 17.70 mm / 0.831 x 0.697″
6:5 ProRes 4K Cine Anamorphic: 21.12 x 17.70 mm / 0.831 x 0.697″
6:5 ARRIRAW 2.6K: 21.38 x 17.82 mm / 0.842 x 0.702″
4:3 ProRes 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702″
4:3 ARRIRAW 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702″
Open Gate ProRes 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715″
Open Gate ProRes 4K Cine: 28.17 x 18.13 mm / 1.109 x 0.714″
Open Gate ARRIRAW 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715″
  • Recording File Container Size (pixel)
16:9 ProRes HD: 1920 x 1080
16:9 ProRes 2K: 2048 x 1152
16:9 ProRes 3.2K: 3200 x 1824
16:9 Prores 4K UHD: 3840 x 2160
16:9 ARRIRAW 2.8K: 2880 x 1620
16:9 ARRIRAW 3.2K: 3168 x 1782
6:5 ProRes 2K Anamorphic: 2048 x 858
6:5 ProRes 4K Cine Anamorphic: 4096 x 1716
6:5 ARRIRAW 2.6K: 2592 x 2160
4:3 ProRes 2.8K: 2944 x 2176
4:3 ARRIRAW 2.8K: 2944 x 2176
Open Gate ProRes 3.4K: 3456 x 2202
Open Gate ProRes 4K Cine: 4096 x 2636
Open Gate ARRIRAW 3.4K: 3424 x 2202
  • Recording File Image Content (pixel)
16:9 ProRes HD: 1920 x 1080
16:9 ProRes 2K: 2048 x 1152
16:9 ProRes 3.2K: 3200 x 1800
16:9 Prores 4K UHD: 3840 x 2160
16:9 ARRIRAW 2.8K: 2880 x 1620
16:9 ARRIRAW 3.2K: 3168 x 1782
6:5 ProRes 2K Anamorphic: 2048 x 858
6:5 ProRes 4K Cine Anamorphic: 4096 x 1716
6:5 ARRIRAW 2.6K: 2578 x 2160
4:3 ProRes 2.8K: 2880 x 2160
4:3 ARRIRAW 2.8K: 2280 x 2160
Open Gate ProRes 3.4K: 3424 x 2202
Open Gate ProRes 4K Cine: 4096 x 2636
Open Gate ARRIRAW 3.4K: 3424 x 2202
  • Dynamic Range
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
  • Exposure Index
Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
  • Shutter
Electronic shutter, 5.0°- 358°
  • Recording Formats
ARRIRAW (.ari)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
  • Recording Media
SXR Capture Drives
XR Capture Drives
SxS PRO+ Cards
CFast 2.0 Cards
  • Recording Frame Rates
16:9 ProRes HD: 0.75 – 120 fps
16:9 ProRes 2K: 0.75 – 120 fps
16:9 ProRes 3.2K: 0.75 – 72 fps
16:9 Prores 4K UHD: 0.75 – 50 fps
16:9 ARRIRAW 2.8K: 0.75 – 120 fps
16:9 ARRIRAW 3.2K: 0.75 – 120 fps
6:5 ProRes 2K Anamorphic: 0.75 – 96 fps
6:5 ProRes 4K Cine Anamorphic: 0.75 – 60 fps
6:5 ARRIRAW 2.6K: 0.75 – 96 fps
4:3 ProRes 2.8K: 0.75 – 60 fps
4:3 ARRIRAW 2.8K: 0.75 – 96 fps
Open Gate ProRes 3.4K: 0.75 – 60 fps
Open Gate ProRes 4K Cine: 0.75 – 48 fps
Open Gate ARRIRAW 3.4K: 0.75 – 90 fps
  • Recording Modes
Standard real-time recording
Pre-recording (ProRes only)
No Intervalometer
  • Viewfinder Type
Electronic Viewfinder EVF-1
  • Viewfinder Technology
F-LCOS viewfinder display
  • Viewfinder Resolution (pixel)
1280 x 784
  • Viewfinder Diopter
Adjustable from -5 to +5 diopters
  • Color Output
Rec 709
Rec 2020
Log C
Custom Look (ARRI Look File ALF-2)
  • Look Control
Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
  • White Balance
Manual and auto white balance, adjustable from 2000K to 11000K in 100K steps
Color correction adjustable range from -12to +12 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
  • Filters
Manual behind the lens FSND filters: Optical Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4
Fixed optical low pass, UV, IR filter
  • Image Outputs
1x proprietary signal output for EVF-1 viewfinder
4x MON OUT: 1,5G (SMPTE ST292-1)
uncompressed HD video with embedded audio and metadata
  • Lens Squeeze Factors
1.00, 1.30, 2.00, 2.00 mag.
  • Exposure and Focus Tools
False Color
Peaking
Zoom
  • Audio Input
1x XLR 5pin balanced stereo line in
(Line input max. level +24dBu correlating to 0dBFS)
  • Audio Output
3,5mm stereo headphone jack
SDI (embedded)
  • Audio Recording
2 channel linear PCM, 24 bit 48 kHz
  • Remote Control Options
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
WCU-4 hand unit with control over lens motors and operational parameters via built-in white radio
Remote Control Unit RCU-4 via Ethernet
  • Interfaces
1x LEMO 5pin LTC Timecode In/Out
1x BNC SDI Return In
1x LEMO 16pin EXT for accessories and sync
1x LEMO 10pin Ethernet for remote control and sync
1x SD Card (for user setups, look files etc)
3x Fischer 12pin connectors for CLM lens motors
2x Fischer 5pin LCS Lens Control System connectors for hand units
1x LDD Lens Data Display connector
  • Wireless Interfaces
Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI lens and camera remote control
Built-in Wireless Video System
  • Lens Mounts
PL lens mount
LPL lens mount
  • Flange Focal Depth
PL mount: 52 mm
LPL mount: 44 mm
  • Power Input
1x Fischer 2pin BAT connector (10.5-34 V DC)
1x On-board battery interface (10.5-34 V DC)
  • Power Consumption
min. 88 W
max. 141 W
(Camera body with EVF-1)
  • Power Outputs
3x Fischer 3pin 24V RS
1x LEMO 2pin 12V
  • Measurements (HxWxL)
158 x 189 x 351 mm / 6.22 x 7.44 x 13.82″
(camera body with PL lens mount)
  • Operating Temperature
-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing
  • Storage Temperature
-30° C to +70° C / -22° F to +158° F
 – Sound Level
< 20 dB(A) at 24fps

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